Yolanda Lopez, a Chicana artist, produced this tripartite series of portraits (in 1978): The Guadalupe Triptych. The woman, who is depicted as a runner, is the artist herself. The picture is called:Portrait of the Artist as the Virgin of Guadalupe.
“Essentially, she [the Virgin of Guadalupe] is beautiful, serene and passive. She has no emotional life or texture of her own” so Lopez commented…..”Because I feel living, breathing women also deserve respect and love lavished on Guadalupe, I have chosen to transform the image. Taking symbols of her power and virtue I have transferred them to portraits of women I know….As Chicanos we need to become aware of our own imagery and how it functions. We privately agonize and sometimes publicly speak out on the representation of us in the majority culture. But what about the portrayal of ourselves within our own culture? Who are our heroes, our role models?” “Yolanda M. López Works: 1975-1978,” San Diego, 1978.
Amalia Mesa-Bains gives this interpretation of the series: “López’s Guadalupes are mobile, hardworking, assertive, working-class images of the abuela [grandmother] as a strong, solid nurturer, mother as a family-supporting seamstress, and daughter as a contemporary artist and powerful runner.”
See also: The Guadalupe Series